Thirst

dishes are an exercise in repetition
why do we go through our days so quickly

we must be unhappy with material possessions
more specifically
how we sustain ourselves

I am amazed I have sustained myself for so long

teenage years of french fries and ice cream
adult years of french fries and frozen pizza

there is nothing that greases my heart
more than eating macaroni and cheese
naked at 2 am

when I am bloodless

pots and pans hang on hooks on the kitchen ceiling

the landlord says our water bill is exorbitant

I think it is extraordinary
the parts of ourselves
we must pay for

steam billows out of the dishwasher
when it is done
we pay for that too

in august we chopped heads off of asparagus

rinsed our hands of the green bits
blue antibacterial bubbled white

champagne bottles cling to the wall
someone please set them free

so we can keep that bent and dying orchid
on our kitchen island

 

(originally published in Eunoia Review, Autumn 2016)

Ruins

I.

Bullets ricochet
in every entered home
and they are similar
to ballet, a delicate

do not fall wherever
you cannot stand back up
but pirouette anyway– every room
spins the opposite of you.

II.

Hair on the surface of bleeding
bricks. The house of
violent storms. Mortars
with every step.

III.

Heaven, the insurance premium,
costs far too much.

IV.

We are legless because
we cannot stand. Wingless
because no one believed
we would fly again.

V.

During construction,
no one built us for the long-term.
There are nails in every crook
of skin– every place you look.

 

(originally published in The Black Napkin, Summer 2016)

Cooking Potatoes

The longer potatoes taste air, the more
they rust over time. We strummed
guitars with calloused fingertips
(melodious incision). The pot

overfills from the weight of boiling.
We whistled unfamiliar tunes through
afternoon orgasms. My teeth cannot chew
the raw. Steam will temper the room

enough to sustain our songs in my head.
I always liked to mix vegetables
into the mash, the music, but the days
are already too easy to cry. The onion

remains sheathed in its flaky armor.
Bunches of corn are never shucked.
Even the cheddar stays in plastic past
when these potatoes soften enough

to feed. The chords are always
harsh. We could never eat our fill.

 

(originally published in The Wagon Magazine, Autumn 2016)

Chapbook Release: ‘The Frayed Edge of Memory’

Today’s a bit of a special day for me: my first poetry chapbook, ‘The Frayed Edge of Memory’ (Writing Knights Press) has released and is now available for purchase! It’s 44 pages and only $8 for a physical copy. Really excited for you to read it! Thank you so much for your support.

Two sample poems that are in the book: ‘Gate C55’ and ‘Short Return to Los Angeles’

(Goodreads)

Night Train in Wait

We stare at stars until we feel
the cavalcade of stones shift beneath our shoes.
There is an entropy to the universe.
What melody does the rail hold in her ivories?

Do we listen for an engine to ignite
while we tangle in the grass, in the cold,
in the tremble of tracks? Where else to go?
We tremble, too, waiting

for a song from the vulnerable rail
and her sharp of distance.
If the train will not move I still want
to create landscapes with you

and callous ourselves hurtling
past engine content in her still
into worlds where I become wind,
and you, fire–

with a palm on your cheek,
we’re the mountains,
playas, beaches, moors.
All a blur. A quiver.

 

(originally published in Isthmus, Winter 2016)

My First Conversation with Anna

was on a stump under a wooden bridge
that led nowhere. You said I am a fence

wanting pink clouds. We walked the tumorous hill.
You brought up your depression. The green

was infinite and quiet and a silence of oaks.
It was cold and snowing when I was naked

in the dirt digging with my hands with the other naked people.
We did not know what we were looking for. It was the first day

of winter and our legs burned from the chill. I said,
tell me everything you’ve ever known to be true.

You said nothing. But I make videos and we can record
our legs for twenty minutes– just the motion is enough

to nourish us. Hairy legs, hairless legs, left leg, right leg
walking upward to the nearest star– we carved a path

but it was our galaxy led us believe we could wind
and weave through sporadic trees called parks / art

exhibitions and we have these trees
on leashes trying to be trees

and if only we could look at them
and notice our leaves the same

we are so ill with them so malignant
and stuck and if we layer with them

into them if we could grow with them
we would bloom forever in ourselves

and then what would we have to talk about?

 

(originally published in mannequin haus, Summer 2016)

Raskolnikov

the weight of an axe sleeps
between us in bed.

we dream of horses
wanting to whip us

until the stable
lives up to its name.

the pawnbroker’s hunched shadow
further crumples into shadow.

there it is, a black apple–
and your pupils, telling truths into the dark.

 

(originally published in Pudding Magazine, Winter 2016)

Anew

I am full of vacancy and noise and technically six glasses
of water before bedtime. Much can be said about wanting

to purify yourself. I dipped myself in water again last
week. I’m telling you it works: you mash two bodies

together until fizzled and deflated on the cusp– saggy but
renewed. Steam leaves the bucket with a fat-lipped breath,

purple. Sometimes it does not work. By the hearth,
just your long, brown hair. By the heart, nothing.

Just a worn wood by the cabin in the woods.
Mountains of snow in my head– she freezes

my thoughts at the peak. A gambler. A hope.
Red strings. A harp. Faith. Burn, burn, burn.

 

(originally published in Thirteen Myna Birds, Autumn 2016)