Can’t Stop Coughing

I binge-take extra-strength cough
drops with gooey menthol centers

having come home from Thanksgiving
earlier than expected

temperatures in the 30s
a shrill turn in the wind

no one outside
but to yell at dogs

men summoning phlegm
hack away at progress

here I sit
alone loudly

perched against white
pillows dry-throated

the medicine kicks in
allows me to speak up

to silence the wall’s tongue
a quiet my body loves

 

(originally published in Hamline Lit Link, 2018)

Kiss of the Cantaloupe

Sweet-suckled Slovenian lips–

Cleveland where I found you,
Columbus were you lost.

Some days a black blanket
we would lay under to seek stars

seeking something cold &
how our temperatures dropped

over the years. We’d burn nights
matchstick young, whiskey and coke,

peel clothes to cool– so the blades.
Puckered and bundled, how to cut

& create tiny crescent moons.

 

(originally published in The Penmen Review, 2018)

Scenery

My roommate takes me
for a walk, or she takes the dog
for a walk. It doesn’t matter.
It’s the second night

we’ve walked each other,
or the dog walked us,
sore throat, brainy fog,
and this time can’t even find

the moon, obscured by houses.
We look anyway, together,
comparing bloom to doubt,
how one is sure, the other

grows, and leaves
crunch beneath as the dog
stops our walking
to pee, to leave another

thing behind. On Sunday
I watched the Niagara dump millions
of gallons into itself, mist rising
into something, nothing. The moon

loomed huge over the bridge
to America towing sunset’s lavender
bed but you can watch a thing die
before your eyes, or not at all–

the way, driving back from Canada
in heavy traffic, I tapped you
on the shoulder on the sky bridge
and said, look, here’s something,

one thing beautiful left, look,
and took the world’s last magnificent,
proffered blue and there, as a passenger,
you refused.

 

(originally published in The Knicknackery, 2018)

Mortality as First Date

The chairs we sit in are steel
horses, sad and dead. What you said
at the gallery in the warehouse was
to you, I have only given death and cookies.
Or corpses confused with candy.
Your cheeks puff, withdraw.
You’re silver in ceramic.
If I were a romantic I’d say
you belong in the painting.
Longing, always. But I am
a romantic. When we strolled
the botanical gardens we found longing
in the plants deemed poisonous.
How close I get to each sweet thing.
How close each is to death.

(originally published in Pif Magazine, Winter 2018)

Penny / Heart

& when you sleep (waking
life is not cheap)
I know our love’s worth
something

out on our back patio
drinking bad wine on Tuesday
& the dog can’t decide
which side of the glass

he wants to live
on, the wild & murk
or the safe & stone.

I’m living life under
fluorescents or artificial
light, got a wallet made
of air I’m thumbing through,

somehow living & learning
despite the change
or lack of– glass

clinks on bronze floor.
I’m saying I love the sundown
& evening air, my fingers
locked in yours, unloose.

 

(originally published in Panoplyzine, Winter 2017)

DAPL

buffalo roam
the sacred land

pipes and protestors
clank and clash

signs

God in front of the lens
smiling gold teeth

cup of reservoir water
in hand (with straw)

I did this
he boasts

god
isn’t it beautiful

the way people rally
sinking ships

a river knows
only the land

it flows through

 

(originally published in Sheila-Na-Gig Online, Spring 2018)

Mud

or is it clay or is it ghosts I remember
muddy footprints you walking in from
rain white plate of cookies in sweat-palms
mud on floor you said sweet, sweet, sweet,
sweet children all those black nights the salty
wind knocking its way in through shut
windows the dead flowers in vases
received sunlight their daily bread
give us ours the ramshackle trinity of unclean
dishes filthy hands and the sticky fridge door
which wouldn’t open not for you
and certainly not for us

 

(originally published in Califragile, Fall 2017)