Publications (2018-2020)



“A Syzygy of Chickens” (Good Works Review)


“A.S.” (Clackamas Literary Review)
“After-Work Binary” (Picaroon Poetry)
“Aladdin’s” (Little Rose Magazine)
“An Iceberg Splits from Antarctica” (Orange Quarterly)
“Android to Apple” (The Los Angeles Review of Los Angeles)
“Another Drunken Summer” (Kissing Dynamite)
“Balance” (Vamp Cat Magazine)
“Beach” (Ghost City Review)
“Bird Boredom” (Ink in Thirds)
“Cocktail Hour in the Wardrobe Department” (Goat Farm Poetry Society: Edges Zine)
“Dinosaur Wedding” (Columbia College Literary Review)
“Dishwashing” (borrowed solace)
“Existential Food Poems” (Bindweed Magazine)
“Frosted Flakes” (Goat Farm Poetry Society: Edges Zine)
“Grill” (Juke Joint)
“Humanity Is a Pre-Existing Condition” (45 Poems)
“Hurricane, 2017” (The Los Angeles Review of Los Angeles)
“I Call Bullshit Upon the Throat of My Art” (Eunoia Review)
Impermanence” (Hamline Lit Link)
“In Pittsburgh, the First Time,” (Bindweed Magazine)
“M&M” (Eunoia Review)
“McDonald’s Delivery” (Hamline Lit Link)
“Orchestra / SpaceX” (Orange Quarterly)
“Remnants” (I-70 Review)
“Scenery” (The Knicknackery)
“Solace” (Dime Show Review)
“Soon” (indefinite space)
“Tuesday Night Karaoke at Hounddog’s Pizza” (MORIA)
“Two Guys, Two Gallons of Yuengling, Two Plastic Jugs, and a Third Arrives Later with a Six-Pack of Yuengling” (The Los Angeles Review of Los Angeles)


“2014” (The Literary Yard)
“2017 Mantra” (The Wayward Sword)
“22 Degrees” (Whistling Shade)
“45 X 1 = 45 (Divided by _____)” (New Pop Lit)
“60%” (S/WORD)
“A Good Relationship” (Triggerfish Critical Review)
** “A Month of Mouth Pain” (Neologism Poetry Journal)
“Academic Alcohol Consumption” (Soft Cartel)
“Advertising” (Sooth Swarm Journal)
“Advil” (The Wayward Sword)
“After Months of Living in My Ford Fiesta” (TreeHouse: An Exhibition of the Arts)
After the Funeral, Facebook” (The Stray Branch)
“All We Talk About Are Bugs” (Thirteen Myna Birds)
“Always the End Is Darkness” (Grasslimb Journal)
“Amy, 2014” (Furtive Dalliance)
“An Extinct Fish Watches an Episode of Planet Earth(Canyon Voices Literary Magazine)
“Anthem” (Cabildo Quarterly)
“Anywhere, USA” (The Tau)
“Apology after Drunken Blackout” (Columbia Journal Online)
“Arcade Bar” (Kaaterskill Basin Literary Journal)
Athens, Ohio” (The Stray Branch)
“Atmosphere” (Ohio Edit)
“Backroom” (The Literary Yard)
“Baggage Claim” (50GS)
“Bars Are Getting Louder” (Kettle Blue Review)
“Become Whole with Yourself” (Indiana Voice Journal)
“Before You Leave for Jacksonville” (Epigraph Magazine)
“Blendoku” (Soft Cartel)
“Bloody Mary” (We Are a Website)
“Blue Beetle” (Pouch)
“Boredom” (Umbrella Factory)
“Brisk Walk” (Cafe Aphra)
“Bronchitis on the Set of New Girl” (Chronogram)
By the Ocean” (Common Ground Review)
“Can’t Stop Coughing” (Hamline Lit Link)
“Canton Central Catholic” (Cabildo Quarterly)
“Carl Reiner Photoshoot” (Ariel Chart)
“Checking the Mail” (EgoPHobia)
“Cloud” (The Literary Yard)
“Coma” (The Magnolia Review)
“Complicit” (Rise Up Review)
“Country Music” (#thesideshow)
“Crickets” (Furtive Dalliance)
“Cutting Pita” (The Literary Yard)
“DAPL” (Sheila-Na-Gig Online)
“Dark Night of the Soul” (Little Rose Magazine)
“Dead Whale” (former People)
“Dean’s Birthday” (The Heartland Review)
“Deciduous” (Kettle Blue Review)
“Diffusion / NBA Finals, 2016” (The Drunken Llama)
Distant” (The Stray Branch)
“Do You Believe in God? Climate Change?” (Amethyst Magazine)
“Dogsleep” (The Virginia Normal)
“Dream With Hurricane” (Hollow Tongue)
“Driving Cross Country” (Epigraph Magazine)
“Earth Angel” (Kaaterskill Basin Literary Journal)
“Editing Room” (Street Light Press)
“Electrons” (Thirteen Myna Birds)
“End of Relationship (Winter)” (Indiana Voice Journal)
“Endless August” (The Wayward Sword)
“Endless Search for Art” (Penumbra Art and Literary Journal)
“Enough” (The Magnolia Review)
“Every Movement of the Sun” (KAIROS)
Facts” (The Stray Branch)
“False Alarm” (Columbia Journal Online)
“Fantasy After a Few Good Dates” (The Wire’s Dream)
“Fear of Dancing” (The Bitchin’ Kitsch)
Five-Dollar-Burger Monday” (SHANTIH Journal)
“Flowers” (*82 Review)
“For Erica” (Reservoir)
“Further, Further” (The Blue Pages)
“Geoff Asks Me to Make Broth” (LEVELER)
* “Getting Sober(Rattle)
“Give Me Another Few Years” (Every Pigeon)
“Ghost Pepper” (taxicab magazine)
“God Poem” (Soft Cartel)
“Grandma, Half-Underwater” (The Bitchin’ Kitsch)
“Greyhound” (Thin Air Online)
“Grief Poetry” (Z Publishing: Emerging Poets Anthology)
“Headshots, 2013” (The Wire’s Dream)
“High Street Construction” (Literary Orphans)
“History Abstract” (Reality Hands)
“Homesick (Dissociation)” (bluepepper)
“Horoscope – May 13, 2017” (Construction)
“How to Be Proud” (EgoPHobia)
“Human Light & Loudness” (After the Pause)
“I Forgot I Was Drinking” (Flypaper Magazine)
“I Had a Problem” (Uppagus)
“I Think of Giraffes Sometimes. I Hope They Sometimes Think of Me.” (Hobart)
“If a Body Is a Temple” (Hessler Street Fair Poetry Anthology)
“I’m Coming Home” (RAW Journal of Arts)
“Illusions” (Hamline Lit Link)
“In Charleston, the Day After the Shooting (2015)” (The Magnolia Review)
In Hindsight, They Put the Dog Down” (I-70 Review)
“In His Youth” (The Wayward Sword)
“In This Cafe You Thought You’d Find Solace from This World” (IthacaLit)
“In Your Apartment for the First Time in Months” (Every Writer)
“Inland” (The Wayward Sword)
“Instagram” (The Magnolia Review)
“January 28” (Stickman Review)
“July” (Abstract Magazine)
“Justin Bieber Finally Joined Snapchat!” (The Wire’s Dream)
“Kentucky Murder Mystery” (#thesideshow)
“Kimmy Granger” (Ghost City Review)
“Kitchen Window” (Furtive Dalliance)
“Kompromat” (Scarlet Leaf Review)
“Kyle’s at the Ohio State Game” (Qwerty)
Last Night’s Bonfire at My Desk” (Freshwater)
“Last Night You Took My Keys & I Need Them” (Columbia Journal Online)
“Late” (Umbrella Factory)
“Lavvy” (Crack the Spine)
“Leaving California” (streetcake)
“Legalese” (Botticelli Magazine)
“Lemons” (Ink & Nebula)
“Let Go” (Pif Magazine)
“Let’s Make a Deal” (New Pop Lit)
“Life Moves Fast” (Visceral Uterus)
“Lingerin’ ‘Til the Singularity” (Black Dog Review)
“Long California Showers” (Pidgeonholes)
“Loose Morality” (Poetry Quarterly)
“Los Angeles Air Withered / Me” (Neologism Poetry Journal)
* “Losing Another One” (New Pop Lit)
“Lost Attraction” (Hobart)
“Lunch with an Old Friend” (Scarlet Leaf Review)
“Lyft Shift (2/9/17)” (Scarlet Leaf Review)
“Macaroni” (formercactus)
“Marshmallow in the Microwave” (Umbrella Factory)
Meditation on Muscle Memory” (Pirene’s Fountain)
“Memories of You Abuzz Alight Aflight A Kite” (The Virginia Normal)
“Memory” (Wizards in Space)
“Memory Foam” (Ariel Chart)
Mid-December” (The Coachella Review)
“Mint” (Cold Creek Review)
“Morning Reflection” (Botticelli Magazine)
“Mouth” (taxicab magazine)
“Multnomah Falls Spits Mist onto My Glasses” (Pif Magazine)
“New Franklin, Ohio” (Packingtown Review Journal)
“Nine-to-Five” (Furtive Dalliance)
“No Words After the Election” (Pangolin Review)
“North Carolina Wedding” (Razor Literary Magazine)
“Notes on a Poem at a Bar” (Delphinium)
“Numbered Days” (former People)
“Office Job (August 18, 2017)” (EgoPHobia)
Olive Garden(After the Pause)
“One Example of Privilege – December 2016” (Change Seven Magazine)
“Our Cafe as Morning Vacation” (The Bitchin’ Kitsch)
“Our Neighborhood Giant Eagle Is Closing” (Ohio Edit)
“Overlooking the Ravine” (Roanoke Review)
“Penny / Heart” (Panoplyzine)
“Pins” (Corvus Review)
“Plea” (The Wayfarer)
“Portrait of a Kitchen” (Poetry Pacific)
“Power Lines” (Apricity Press)
“Rain Again” (Rosette Malificarum)
“Rain Dance” (Botticelli Magazine)
“Rain Washes Away Nothing” (Gyroscope Review)
“Red Brick (Tavern)” (The Literary Yard)
“Reviewing Geometry for the GRE: First Lesson” (petrichor)
“Room Where a Plant Can’t Breathe” (Thirteen Myna Birds)
“Shakey Graves” (Black Dog Review)
Shifting Junes” (This Zine Will Change Your Life)
“Shut the Freezer Door” (Visceral Uterus)
“Silica” (Burningword Literary Journal)
“Sleep Paralysis” (The Tau)
“Sleeping in My Car, I Fear Thunderstorms Again” (Rust + Moth)
“Slosh” (Neologism Poetry Journal)
SpaghettiOs(The Oddville Press)
“Sticky Rice” (Bitterzoet Magazine)
“Straightening Hair” (Sunlight Press)
“Stranded” (Sunlight Press)
“Stray” (The Literary Nest)
“Stuck in an Elevator” (Literary Yard)
“Submerge” (Zany Zygote Review)
“Sunday Funday” (Central American Literary Review)
“Sunrise” (Old Red Kimono)
“Sushi” (Hobart)
“Switches” (3Elements Review)
“Tallboy” (EgoPHobia)
Tea” (Common Ground Review)
“That Conversation We Delayed” (#thesideshow)
“The Apple and the Moon” (Man in the Street Magazine)
“The Appointment of the Special Counsel” (Rabid Oak)
“The Blinds” (Grasslimb Journal)
“The Busier the Kitchen the Filthier the Dishes” (Stickman Review)
“The Drone of Faceless People” (Scarlet Leaf Review)
“The Employment of Dreamers” (Flypaper Magazine)
“The Hours” (Sheila-Na-Gig Online)
“The Last Poem I Will Write in 2017” (Jenny)
“The Stewardess” (The Inflectionist Review)
“The Overlook at Baldwin Hills” (Soft Cartel)
“The Strip (Vegas)” (Soft Cartel)
“The Uncertainty Principle” (Change Seven Magazine)
“To Paige (From Jack), 2017” (Delphinium)
“Two Workouts” (Indiana Voice Journal)
“Umbrella” (The 1932 Quarterly)
“Unemployment Dirge” (Foliate Oak)
Used to Play Baseball” (First Literary Review – East)
“Valentine for Sara Rosenblum” (The Magnolia Review)
“Valentine’s Box” (#thesideshow)
“Valley Kids” (Poetry Super Highway)
“Wall, Edge, Chandelier” (streetcake)
“We Call Our City ‘Garden'” (Peeking Cat Poetry)
* “We Try on Masks at Dollar General” (Midway Journal)
“We Will Pour and Pour” (Cabildo Quarterly)
“West Covina Cormorant” (The Wayfarer)
“Whale Fortune” (Rabid Oak)
“When I Start Drinking Again” (Poetry Super Highway)
“Widow” (Oyster River Pages)
“Winter’s End” (Toe Good)
“You Say the Songs I Like Are the Ones I Can’t Sing” (Fourth & Sycamore)
“Young” (The HitchLit Review)
“Your New Life in Columbus Via 71 South” (Central American Literary Review)
Your Teeth, My Teeth” (First Literary Review – East)
“Zen of the Clattering Ceiling Fan” (The Bitchin’ Kitsch)

*  Nominated for Best of the Net Anthology

**  Nominated for Pushcart Prize