out of nowhere there’s a razor-thin wire hope
smoke from the top of the mountain and
we small spectators watching those distant trees
burn chatter among ourselves that finally there’s
a chance to reveal the truth about the source of smoke
and to be honest we’re terrified if there isn’t
a fire because we see it and wonder what else
is covered up because it’s there all around us in the air
(originally published in Rabid Oak, Spring 2018)
did you see me?
(originally published in Canyon Voices Literary Magazine, Spring 2018)
On the back patio, a cricket chirps beneath
the dirt of graying leaves– September’s chill.
Most days, dust becomes the clouds, this habit
of years knowing you, gone. The blue crickets
strum the cold death of summer– violins. I walk
the perimeter of fence to hear your heartbeat,
shrill– a shiver in the search for permanence.
Childhood: the crickets cry. A car door slams.
Footsteps twist through the crackle of leaves.
The old house hides the light, dips me in
worry: when crickets stop, ashes become
wind– the hymn. The lament of sparrows,
the creak of a gate, the thrum of a plane.
The unbearable passing of another year.
(originally published in Furtive Dalliance, Winter 2018)
Upon the gum’s shore,
a body beaches–
abscessed tooth of
How the mouth learns
Soon, this is ritual.
let bleed from morning
The dentist says
don’t drink– so
consume the ocean
of the night
yourself to sea.
(originally published in former People, Winter 2018)
Don’t peep the flag, its withered stars &
snakelike stripes a windsail blown to hell–
cleats in fake grass, the dead broil of fall.
(originally published in Cabildo Quarterly, Winter 2018)
I have been trying to cough up the bald eagle
lodged in my heart, but only feathers have landed
wet on this dirt. I love this country, but this is too white
for me to say. Too long have I been silent in privilege
while our nation’s darkest forces– white-winged
and fire-breathing– cast their manifest, the harming
kind of loudness. There is no one in my life who
admits agreement with white supremacy, but I also
know there must be– and if silence is complicity,
I must be no longer. So I cough out the beak, the flag,
the gun whose silent bullets I have already fired.
I am so sorry for the silence–
everyone I haven’t known I have hurt.
(originally published in Rise Up Review, Winter 2018)
Driving west to Columbus from my partner’s house
in Pittsburgh early morning and on I-70 around six
in the rearview there’s a giant burst of orange light nearly
deafening in its glory and my first thoughts are fire and fury
then you’re gone but no it’s a heavenly sunrise and I can’t
remember the last time I witnessed the sun rise though a few
days ago she and I were in Vermont about to hike an
overlook before sunrise to watch it but we couldn’t will
ourselves out of bed and what a world to wake to now
driving alone this big dramatic ball of fury revealing its
magnificence bathing land in light before it softens
how it could have been one or the other
a burst of beauty or unspeakable tragedy yet from a distance
a bomb might seem as beautiful and harmless as a sunrise
at least until the smoke how with fire too there’s a kind
of enchantment but for this a split second then the anguish
and fury for this sunrise greeting a thousand grieving days
(originally published in Old Red Kimono, Spring 2018)
What you do say is prayer don’t burn and die
when passing through the atmosphere.
Yet, somehow, meteoroids do–
though sand-sized, they have bodies
like bullets, sometimes
copper, sometimes steel.
We’re talkin’ heaven’s ammo,
a hundred tons pounding Earth each day
unnoticed. Down here, you claim
able to speak with some cosmic, faraway force
you’ve never met while keeping closed your mouth.
You claim telepathy, so this telepathic ability
how your thoughts move healing this world
of the aftermath of bodies. Tell me:
how does God respond?
And you say God,
God protects the faithful.
So, God’s His own meteorites
cratering His house, hallelujah.
(originally published in Ohio Edit, Winter 2018)
There’s a vast swath of land infected by the living
dead. The desert, the plains, the cities– all beheld
by glow of screen, and we’ve dug holes too deep
for bodies. Just pray there are no more casualties,
no gunshots, no cars striking crowds, whether in
the USA or Spain– all of this is beginning to look
universal, the hatred of our own. How we pay
for the debt the nation’s entrepreneurs designed.
There’s an endless spate of horror
films upon which to feast our eyes but look
at the people walking down your street harboring
the fears society cannot afford. There is still
ample land to lay graves– land founded on holes
we placed bodies in yet we distract ourselves
with everything, looking for the next lark
to keep us living. Under blankets in living
rooms with lovers, under stars aglow through
open window, we watch the drama unfold.
We know the protagonists will always
find a way out of suffering.
Those through the window never do.
(originally published in The Rising Phoenix Review, Winter 2017)
look in the mirror
that’s the ghost of you
a fraction of a second ago
I look into my lover’s eyes
and she seems alive though
I know we’re wilting
together when we hold
hands the action is
a time traveler
our atoms providing
the illusion of touch
but what of the heart
does the beating keep
us breathing or the
faith that we might be
my head rests
on your chest
echoes of eternity
I am both part of
(originally published in Hamline Lit Link, 2018)