I Think of Giraffes Sometimes. I Hope They Sometimes Think of Me.

In Kathleen’s apartment in Oregon,
I ask her where even is home?

Clevelanders-turned-transplants,
maybe never knowing.

I see my mom’s mown lawn
in the green fields our baseball

team travels through, my friends
in tweets spitting scores or stats.

These, I don’t care about,
but I join in discussion.

Blue hands to high-five,
then to put my phone down.

 

(originally published in Hobart, Winter 2018)

Kiss of the Cantaloupe

Sweet-suckled Slovenian lips–

Cleveland where I found you,
Columbus were you lost.

Some days a black blanket
we would lay under to seek stars

seeking something cold &
how our temperatures dropped

over the years. We’d burn nights
matchstick young, whiskey and coke,

peel clothes to cool– so the blades.
Puckered and bundled, how to cut

& create tiny crescent moons.

 

(originally published in The Penmen Review, 2018)

Stand-Up Comedy

[the comedian approaches the stage in sunglasses
and a shiny black and green robe.]

Knock knock.
                        (Who’s there?)

I am.
There is no punchline.

Listen past your rush-hour heart.
I am up here breathing heavily.

Listen: I want you to laugh
and never stop. I am trying jokes
you did not know you wanted to hear.

I searched coast-to-coast for lands
who laugh with me, that tectonic shifting
from belly to chest.

Why did boys like me bring ladders to school?

We wanted to learn mountains and rarefied air.
To find reservoirs of laughter waiting.

What did 0 say to 8?
                       Nice belt!

                      (I don’t get that joke!)

But I want your holy, exhaled noise.
Relax.

What do you do if you see a spaceman?

You laugh. He doesn’t know what he’s doing here.
What he’s doing anywhere.
I offered myself to the ocean–
the entertainment industry.
She did not want.
The spotlight hungers for no one.

Why did the chicken cross the road?

Why wouldn’t the chicken cross the road
if the chicken intended to cross the road?

Most everyone I know crosses the road
without looking both ways these days.
I do not call them chickens– they are my more realistic friends.

I want to make them laugh.
If you’re not laughing for me, laugh for them.

We are haunted by too many things:
dead friends, dead family, dead love,
dead strangers, dead, dead, dead, dead, dead.

You can be someone’s haunting sunlight.
Someone’s champion jester dispersing their marbles too good.

Look, a magic trick!
                                   [he throws two playing cards onto the floor]

How do you catch a unique rabbit?
U nique up on it.

How do you catch a tame rabbit?
Tame way– u nique up

on something enough to latch onto–
just a hinge’s creak
before the mouth’s swing open, closed.

Some of us never leave that darkness.
The silent divide.

Laughter will bring us close.

I mean it when I say let’s laugh until we die,
even when what we laugh about isn’t funny.

I mean it when I say if you see a space, man,
park your car, man.

It’s over.

 

(originally published in The Magnolia Review, Fall 2017)

Sunny Days

In memory of Chris Hull

friends don’t
wait for rainy days
to die
there is never
a metaphor
in the weather
the sun laughs
as it always does
when I receive the call
I find the nearest tree
to brace myself
with shade
it’s the only darkness
seventy-six degrees
warm breeze
the car
approaching the hospital
still takes her living
to work
at being alive

 

(originally published in Muddy River Poetry Review, Spring 2017)

The Photograph Was a Drunken Winter

slackened falls into chaos: each plod
a sobering imprint on snow

buzzing cavernous hearts
white honey swathes the air

the dewdrop pale of her shirt, arms curved
from the door in bent-seven candles, icicled

waxen breath hissing this
is the moment sculptured to ice:

a future with gluey trees barren at night,
tongues born licking telephone poles

static moments stretched to angel hair
feel like rare dreams caught in dim light

 

(originally published in Scarlet Leaf Review)

Clinton, Ohio

Where I lived was a quiet crescendo
of snow six months of the year
& mosquito summers wearing shorts
into the sweating night

Where I lived had piano thunderstorm concertos
jolting the elderly house’s bones
with frenetic fingers, ivory paint,
red bricks

Where I lived was a lonesome walking trail
where morning chirps of blue jays went unnoticed.
Beds of acorns lined the autumn grass,
a kind of fallout for the process of aging
and the act of leaving

Always, now, in thought, it is a shoebox
of dandelions that writhe when I pet the cold cardboard–
hello, you are home, tonsils– my heart
can’t handle the hand-shaped imprints
from so far away

 

(originally published in Rubbertop Review – Volume VII, 2015)

LeBron Comes Home

Sawdust struck our eyes
when his teeth jawed
themselves against our tree.

His headband
constricted us like
a snake.

When he unclasped,
so did we.

Our bodies slackened
like absolved marionettes.
Held beers became
puddles on bar tables.

The yesterdays burnt
wax into our throats.

Today he is Atlas with the city
perched on his shoulders, the Earth

a lacquered basketball. Willingly,
now, we witness and worship his
every move, drawn by an influence
we ourselves do not carry with
every blink, every breath.

 

(Originally published in altered form in Perspective Literary Magazine – October 1st, 2014)