The joysticks dance
in orchestral unison,
taking turns missing
the light on the screen.
The proximity advantage
Our feather jackets brushed
and the crowd howled around us,
moved in herds – an infinite number
of lives in which to press
the red kick button. Not a red
exit. Not to drink water in excess
of the salt, shake it over,
shake your damn hands and clap
once, clap twice, shiver in the
thorn-wine applause– let us
shiver within our bones.
(originally published in Kaaterskill Basin, Spring 2018)
I am a nail-punctured tire
the rubber smell
with you, unfinished, our wheels –
squealing for still.
Our bodies, bands stretched and heaved
in bundles of clothing
feathers scattered and–)
navigating roadmaps to our cores,
you can reach the end
and pluck what you want.
I just want you to see me for who I am
when your legs aren’t clamped around me,
the squeeze in the mitt.
(originally published in First Literary Review – East, Spring 2018)
Place the ring around your finger.
Let it spin. Pretend, for once,
that something can attain
perpetual motion. You drive back-
country roads to leave a life behind
yet miss the destined exit. Consider
the spin of the Earth, the galaxy,
the universe. At what point does
longing end? There are always
voids to fill, vast pits of fruit
you would savor if you could
stay still enough to love
(originally published in Cabildo Quarterly, Fall 2017)
You look around the room
and rate singles from one to ten
in terms of melancholy
but don’t know
how to rate yourself–
Pacific waves flow through
you almost drown
in the sea of your thoughts–
the scisms between pen and mirror,
heart and mind, these are thieves
who will lie to you ‘til the Greyhound
leaves for Cincinnati at 11:30.
Until then we watch superheroes do bad
stand-up comedy in the conference room
at the new Mikey’s, eating mushroom pizza
with too-hot sauce. Bass pounds from the stage
so loudly we walk to 16-Bit next door
to drink water and pretend we are drunk,
our mouths rocketships exploring the universe
of each other– the rotation of stars
confused with physics. In the end all you want
is chocolate cake. Your blue eyes curve away
in that soaring flyball-to-left way. The way
you sway me back to simpler times
when buying CDs was a holy act
of personal preference
and I stayed sealed on a shelf in plastic,
waiting to give the world my music.
(originally published in Zingara Poetry Picks, Summer 2017)
we’re summoning the dead by candlelight out of a Hasbro board
and there are so many ghosts in my head haunting every home
I find myself in so much history in every intimate space of belonging
but the cat doesn’t have to meow after we ask a spirit to reveal itself to make
us scared there’s a bat hanging on your door and we fall asleep holding hands
I never know what to make of you, how to call something beautiful
and I don’t think to ask the Ouija board that instead asking stupid questions like
will we ever grow tall enough to dunk a basketball and will we pass history class
instead of saying things like reveal yourself and show me who you really are
but maybe we were never really searching for spirits to begin with maybe
we just want any warm body to haunt our beds you don’t even have to say anything
to let me know we give thanks to all the ghosts that haunt us
(originally published in Here Comes Everyone, Spring 2017)
(originally published in “tall… ish“, an anthology from Pure Slush Publishing)
i walk in a line and shoot and shoot i walk in a line and shoot and shoot i walk in a line and shoot and shoot i walk in a line and shoot and shoot i walk in a line and shoot and shoot i walk in a line and shoot and jump and shoot and jump and walk in a line to music decadent in my brain on a loop a loop and through the gates it follows wherever i go wherever i slide i slide i slide inside and walk in a line and jump and shoot and walk in a line and jump and slide and the music is always the always the major key hooks and bridges no matter my life the music the same and i am so close and i am so close and i walk in a line and jump and
(originally published in an alternate form in Dangerous to Go Alone! – a video game poem anthology)
Waiting for a spade, or any jack, really.
The pool is deep in the shallow end.
Waxy chlorine splashes your baby oil eyes.
The sun lies between the tanlines on our skin
which make us ever chameleons. Not that we shift,
but we eat where we are wanted.
I give you the iPod touch with the black fungus.
You twirl your index finger.
Then we leave. The window cranks open.
(originally published in Little River – Issue 4)