The Apple and the Moon

Newton knew the force of a desire
determined the severity of impact.
If you want an apple, the thought will travel
far to haunt you. Calculus was invented
to make sense of your absence. Such
is the memory of July: Beach House
in dim lighting, your bed beside the stairwell.
One could almost roll over and…
walking up those stairs the first time,
you were not there, but searching for your
cat outside, later found hiding in the ravine.
You wouldn’t let me stay, not yet.
I would carry silence into
waning days of weeks then feast
on all the words you spoon-fed me.
I failed to boomerang magic into our
silent field, unlike our first date: cheap
chicken on the patio of World of Beers,
talking what it would take to unlock
our true selves. You called Colin
to buy molly, though I’d never
rolled. Like everything else,
that plan flaked and you never
thought of me again.

 

(originally published in Man in the Street Magazine, Winter 2018)

Penny / Heart

& when you sleep (waking
life is not cheap)
I know our love’s worth
something

out on our back patio
drinking bad wine on Tuesday
& the dog can’t decide
which side of the glass

he wants to live
on, the wild & murk
or the safe & stone.

I’m living life under
fluorescents or artificial
light, got a wallet made
of air I’m thumbing through,

somehow living & learning
despite the change
or lack of– glass

clinks on bronze floor.
I’m saying I love the sundown
& evening air, my fingers
locked in yours, unloose.

 

(originally published in Panoplyzine, Winter 2017)

Vibration of a Single Degree

When a system is given
an initial input of velocity,

it will vibrate freely
upon release. The ground

will undergo occasional
displacement. In running,

we invite earthquakes
with periodic force. In leaving,

the engine drives
with rising speeds.

In real systems, energy
dissipates. The system damps,

often unnoticeably. When friction
ends, the memories displace,

and your face becomes
a jumbled mess of cables,

of mouths in wired eyes
so tangled by the heart.

 

(originally published in The Magnolia Review, Fall 2017)

What We Talk About When We Talk About

Pepper burned my mouth
and all I could think of
in that salivated flame
was you telling me your tongue
no longer felt the heat
of a moment: meaningless
sex– bite and garment
here between the green
walls of your zen room
your small goldfish
swimming in circles–
submerged flame and hunger
for love so intense
I flicker poems to you
thumbs on lighters
waiting for the matchbook
to catch– combed pomade
hair, designer jeans, and wit–
what I want is origami
and fire– instead
we talk about love
but unlike Raymond Carver
we have nothing
more to say.

 

(originally published in Words Dance, Summer 2017)

Caterpillars

I watched us turn into centipedes,
not butterflies– tiny legs to run
pushed out of us, not wings.
In half-moon light we crawled
the hollow ridges of our bodies.
Someday, we thought. Children.
But it was true: neither of us knew
how to bloom. We kept scratching
at the other’s skin digging
for the beating heart
but only exposed the blood.

 

(originally published in The Quiet Letter, Summer 2017)

Heart Surgery

Gates clot with distance: other thickened loves not directly related
to active devices are increasingly important for post-fabricated
hearts to facilitate not only process control, circuits, electric life,
but also accuracy of simulations critically dependent on parasites–
your fundamental process parameter.

A thinner gate enables smaller, faster transistors to critically affect
hearts: techniques were developed to provide accurate values.
X-ray photoelectron spectroscopy: you materialize as light
witches on. Auger electron spectroscopy: hold the sun in its light.
Secondary ion mass spectrometry. Transmission electron microscopy.

And the meaning lost in poetry.
And you I lose in visible light.

(originally published in The Icarus Anthology, Summer 2017)

Real Shit

We’re eating Thai food, like we were supposed to do yesterday,
and I tell you that spice level, I couldn’t handle but next I know

we’re walking through alleys shoulder-to-shoulder when you ask
when you gonna talk about the real shit? And we keep on, sun

dipping to avoid the real conversations and I know this box of Stella
in my hand isn’t strong enough to make me start, but in my house

there’s honey whiskey, and I ask if that’s real enough but no,
too much sweetness. We drink anyway, ice falling from freezer

to floor as I reach for Old Crow to hurry to some kind of real talk,
the kind we couldn’t find on our walk to Giant Eagle

but there are bonfires too hot for our hearts in the real world,
a tinder of paper and logs we decide not to learn the names of

and we’re drowning whiskeys, beers, and slow small-talk
telling each other about exes to the flame’s orange humming

and that’s real, I thought, but not real shit and so the hanging lights
are unplugged and we’re searching for stars through clouds of smoke

and we talk about how little we know, how far we want to go
but beside you those stars don’t seem so far and in the swirl

of darkness we kiss, realize that’s the real shit
until we open enough to tell each other.

 

(originally published in Cease, Cows, Fall 2017)

Abella Danger

fungus grows on the lips
of a cordless mouse
and seeks a kiss or two
clicks to connect void
into void and absence
warps into a fray
of spit and sweat
this LED lover
covered in fingerprints
and dust here we crawl
on tousled bedsheet toward
an open window in view
of eucalyptus and jacaranda

 

(originally published in The Good Men Project, Fall 2017)

Polyamory

we walk parched lips from downtown
to the jazz & rib fest you tell me
you love too many at once

I count the number I love at the moment
but we lose track of headlights
following the other’s every move

neither of us know how to get there
how to make music & when we arrive
jazz is faint & we don’t listen to sporadic notes

choosing to walk the bridge over the river
under spotlights of webs of moths
between railings & you say insects

are the most important creatures alive
the more of something there is the better
all these millions of arachnids spinning

webs to eat the hearts of bugs they always catch
we stand away from the railing because we
don’t want spiders to creep onto us & start

the work of eating through skin to dig to heart
we don’t look at each other because
you can be in love with so many at once

but not the ones who want it most

 

(originally published in Edison Literary Review, Summer 2017)

To Sara (From Kingsford)

I scratch at doors because I hear a creature
moving in some box I have yet to lick.
Cardboard has the faint taste of forest, of hungry
bark. I have never ventured deep but the deep
knows my name, and when alone its voice
is sometimes distant but so heavy, I claw
the door’s painted wood until the woodlands stop
speaking, or someone lets me free. I explore dark
spaces and in this home I look for monsters
to flee– I run from shadows, sprinting through
the wilds of rooms wanting a chase to give
my motion meaning. Don’t get me wrong.
I’m grateful; I’m safe; I’m running from myself:
I’ve loved like vacancies in the clothes hanging
in closets. And loved like in your arms, eyes closed,
no more dark but in searching for the predator
to emerge in you– but on your bed, in this room,
in this home– there is only breathing and calm
I can’t sense in that outside world of creaking
and footsteps, of clouds rolling into thunder,
of multitudes of other things
I trust far less than you.

 

(originally published in York Literary Review, Spring 2017)