Ant Gel

Fill the cracks so the ants can’t infest.
This is the poison applied for feeding:

urine-yellow icky glue sealing lips
to take home to another body. Sometimes

words stick where I open my mouth–
the crevice between us not letting you in.

I, too, have brought small gifts back
underground thinking them an olive

branch. Each attempt kills one way
or another. Malignant misinterpretations.

I return with this pellet of words.
This killing I never meant to witness.

 

(originally published in Abstract Magazine, Fall 2017)

 

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Cicadas

The cicadas come at night, after you
fall soundly in the trance of your booklight,
buzzing pages. Forget, there’s no undo.
The cicadas come at night,

arriving several years apart despite
love’s hindwings clung to bark whose heart is true.
We burrow in those pages craving sight

and air and words– we gather in droves to
kiss your hand though you think it is a bite.
We wait years and always return to you.
The cicadas come at night.

 

(originally published in The Road Not Taken, Summer 2016)

How to Hit on Ladies

suck in the vacuous space
separating the lines of the
ceiling and the hard cross
of vagary carpet mites –

wave the dueling paintbrushes
until the rims break but ever
so coquettishly whisk
the centipede eyelashes –

twist the crescent mouth to hark
the worthy obeisance of
patriot songs in a way that
conducts mosquito perseverance –

patch the augered suitcase leaking
carrot water but do it so
the bullish cockroach shells
remain intact and walking –

reassure her that the future
is a flowing faucet unhinged
like the music of the Grecian
harmonica in gathered cicadas –

 

(originally published in Euphemism – Vol. 11, Issue 1)

Blue Digger Bee

do blue digger bees buzz like honey bees do
or like jazz from tinny speakers
the city night starves for jazz
just a little touch finger on palm
yes I am over your plaid cheeks
like physically my eyes are exhausted
the out-of-order escalator will move no further
yes we waded in pastel watercolors
soft peal of wetting paint
temperance of modern rain
kestrels singing in forever air
tints of cerulean debasing the feather coat
deftness of a painter’s hands
what loneliness in the canvas will glimmer in a gallery of twenty-first century still life
that is real
the mixture of white and black paint stain so entwined in the fingers gripped by brush
the challenge of how do you make this Vietnamese-man-sitting-alone-at-a-table as compelling
as a bucket of salt dipping from the sky
I think of a plodding pizzicato on a yellow glass harp
children in red shoes lining up for a king-sized carousel
our teeth are the strings on the replacement years from now
somehow the present is pregnant with the future
somehow my mouth is fanged to nearly ask
fingers hold music that has not been heard
arpeggio flower petals drifting in the wind
umbrage in the gutters
fingernails recycle them into leaves
the digger emerges from sand
and creeps back into its widowed sepulcher

(originally published in Prong & Posy, Issue 2)

In the Future I Will Drink More Coffee

in the future i’d be watching you smoke
cigarettes
waving your smoke away
with cleaver hands

breakfast would come
we’d slice cucumbers in the wet-
snake leather kitchen
rectangular blade neatly fit
sink-soaked
the yolk in the sandwich a little drippy
warm & familiar

the electric stampede of spiders’ feet

never did the future weave
faint spiderweb strands

 

(originally published in Sobotka Literary Magazine – Issue #3)

The Universe Necessarily Sends Metaphors

Swathed in bedbugs, draped
in the gloom of willing hearts
in collective song maddeningly
swept by enkindled starlight obscured,

fate sprouted flowers along
marshy graves and windtorn spokes
of the ethereal wheel of coincidences,
salvos brisk and violent, precisely when
the window-dead moth inched baby-bug steps,

when you plucked a magic eyelash
from a crook in my face, the numb
morning heat of your breath whispered,
in translation, morose and umber.

Now we wait, sanely, eyes closed,
for all the other things I wished
to bear gold in streets we walk
at night, hand entwined in yours.

 

(originally published in Glassworks, Fall 2015)