Can’t even sustain myself with the hours
I work to make myself; a waterfall of dollars
and dreams splashing off wet stone. I hold no
heart hostage but my own; the heart holds me
hostage through beating, my breathing
a slow decay. In aging I prove nothing
to the universe except that I exist;
through the office, I prove I do not.
Despite the hours, the blood and bone
monuments I erect, then forget–
the steady draining of days worth
not enough to get me by.
(originally published in Sheila-Na-Gig Online, Spring 2018)
Tulip tree in Alaska. Cold
and wild. Rembrandt blue
Christmas lights, shepherd
pie a warmth of familiar metal
stovetop. Doorstep. Gold
beneath nothing but rusted shovel
mnemonic arms repping
dumbbells. Must be strong
in clumps of conviction. The south
says the creator God’s a yes.
Freeform jazz. Bubbled
champagne. Festivals devoted
to home. Houston before me,
Texas a pink tie knotted.
(originally published in bluepepper, Winter 2018)
I have been trying to cough up the bald eagle
lodged in my heart, but only feathers have landed
wet on this dirt. I love this country, but this is too white
for me to say. Too long have I been silent in privilege
while our nation’s darkest forces– white-winged
and fire-breathing– cast their manifest, the harming
kind of loudness. There is no one in my life who
admits agreement with white supremacy, but I also
know there must be– and if silence is complicity,
I must be no longer. So I cough out the beak, the flag,
the gun whose silent bullets I have already fired.
I am so sorry for the silence–
everyone I haven’t known I have hurt.
(originally published in Rise Up Review, Winter 2018)
Quantum physics have never been
more real than in this steaming
silver pot of Annie’s shells
and cheddar butter and milk
I’m cooking and the cat in our house
attacks crumpled-up balls
of paper yet sprints in fear
when a toilet is flushed. We are
all in orbit. You and me and
Earth and spoon in pot
mixing components into
tornado and I don’t know
where the melting butter
ends up nor the cheese
or where I’ll be in ten
years or a thousand
because our atoms
can diverge into
two paths any given
THE FIRST PATH
the one where you and I and most our friends and family are still alive
because ten years is a long time someone both of us love has died
it’s my father I see dandelions on the dead a suit and tie something
he never would have worn & your mother her silky dress and
Avon perfume wafting through the wake the frost her
permanent winter bed
THE SECOND PATH
the one where you and I and all our friends and family are still alive
because ten years is a long time someone both of us love will die
I see a bowl of ashes I see dead dandelions wilting on the stove
the steam carries souls up into my nose where I recall the heat
and depth of the Grand Canyon sun pressing against my
neck Dad in his thick glasses & sweat arms around me &
I pick up a stone & throw it over the edge
(originally published in The Courtship of Winds, 2019)
Driving west to Columbus from my partner’s house
in Pittsburgh early morning and on I-70 around six
in the rearview there’s a giant burst of orange light nearly
deafening in its glory and my first thoughts are fire and fury
then you’re gone but no it’s a heavenly sunrise and I can’t
remember the last time I witnessed the sun rise though a few
days ago she and I were in Vermont about to hike an
overlook before sunrise to watch it but we couldn’t will
ourselves out of bed and what a world to wake to now
driving alone this big dramatic ball of fury revealing its
magnificence bathing land in light before it softens
how it could have been one or the other
a burst of beauty or unspeakable tragedy yet from a distance
a bomb might seem as beautiful and harmless as a sunrise
at least until the smoke how with fire too there’s a kind
of enchantment but for this a split second then the anguish
and fury for this sunrise greeting a thousand grieving days
(originally published in Old Red Kimono, Spring 2018)
sun & guitar strumming through space giving
breathing life-music concertos into me the grass
the G-minor wind the black garbage bags
I have picked out only a few t-shirts to wear
this year or any year could be the lifespan
of the universe or an endless pot of coffee
all my pants in the trunk I have driven
the cavernous columns of west U.S.A. today
& yesterday & tomorrow is my bent mind u-turn
steering wheel a strained muscular twist & cat-tongue
rubber consuming thoughts which are broke &
banked & rivulets of rust & cash the downstream
trend of my feral gasoline-fueled dreams
(originally published in Treehouse: An Exhibition of the Arts, Winter 2018)
o saliva O give me life & talk shit
drawer of knifetongue compartmentalized
reason being what it is wet pink taste
inside me a water I swallow
(originally published in taxicab magazine, 2018)
From oneness: two, three, four.
Shadows through doorways.
Breath from water. Surface
bubbles, rippled sighs. The ocean
dried, became a city. Marine lights.
Pearl buildings. Skyscrapers so
old you can see the way the
world will end.
No one knows the space they occupy.
We fade in water. We fade
in air. We fade in living,
drown in life.
(originally published in Zany Zygote Review, Winter 2018)
Her violin’s bow popped off the crowd’s
thin, bald trees–
it’s just too late to grow.
The next morning I called where you grew
and crawled these barefoot floors
of fingerprints and colors
and your name
(originally published in Packingtown Review, Summer 2018)
In Kathleen’s apartment in Oregon,
I ask her where even is home?
maybe never knowing.
I see my mom’s mown lawn
in the green fields our baseball
team travels through, my friends
in tweets spitting scores or stats.
These, I don’t care about,
but I join in discussion.
Blue hands to high-five,
then to put my phone down.
(originally published in Hobart, Winter 2018)