To Davin (From Laurence)

to leave water would mean I suffocate
so I wait for orange pellets to fall almost
like rain you and I are alone most
of the time pooled in a little world
aimless from place to place
in a bowl peering through glass
to see what moves around us
swimming feels like drowning
when you come to me and I press
my face to glass trying hard to break
it to come meet you
when I flap my fins it means I am starving
not for food but to end these
lonely days punctuated by when
you surface through the waters of that
more colorful other universe like magic
my sky becomes kaleidoscopic orange
and I nearly believe I belong

 

(originally published in Perspectives Magazine, Spring 2017)

Announcing The Mantle: A Contemporary Literary Journal

I have started a long-gestating project:

The Mantle is an online quarterly journal dedicated to compelling, contemporary poetry, committed to publishing the most memorable poetry we receive and will nominate for both Best of the Net and the Pushcart Prize.

Send poems that are odd, poignant, beautiful, or oddly poignant yet beautiful. Send poems you’re proud of whether raw, refined, or jagged.

Check out the full submission guidelines here and consider sending your work!

Chapbook Release: ‘The Frayed Edge of Memory’

Today’s a bit of a special day for me: my first poetry chapbook, ‘The Frayed Edge of Memory’ (Writing Knights Press) has released and is now available for purchase! It’s 44 pages and only $8 for a physical copy. Really excited for you to read it! Thank you so much for your support.

Two sample poems that are in the book: ‘Gate C55’ and ‘Short Return to Los Angeles’

(Goodreads)

Skeletons of New Year’s Eve

I do not perceive you as obsessed with death
even if, days before, our jovial talks of dying

led to sugar-frosted blue wondering at the sky.
We planned to pop champagne for the birth

of feeling alive: winter hardens soil so we must dig
to the laughter we share in our spines.

We did not drink white wine, but the beer was breath
without knowing the scent– like any year,

we were paintings of light and dark, of limb
and bone so disordered to stand is a triumph,

and hope is a kaleidoscope, a conjecture.
Each dying wave returns, even at the frayed edge

of memory, how the dead are lavish with flowers
and stories. Still, we press on to uncork

our champagne future: drafts of breath in each
new year, dead waves haunting the mortal tide

with no specific beginning, no obvious end.

 

(originally published in Liquid Imagination, Summer 2016)