Warehouse Beach

The warehouse art gallery could never be mistaken for the beach,
even as curators charade sand across the dancefloor,
make us remember desire. Violins strike the throbbing air
with an electronic pulse, a horsehoof beat activating

the summer IPAs we drank beforehand to create
our summer selves. It ends. You end. At home later on
we watch documentaries where owls hunt forests for prey.
I pray we will soar but never hungry above branches.

Mostly I pray for our hearts to not be plucked raw, how stranded
and helpless we can feel in a new town while the world whirls
a thousand miles per hour– we stumble through sliding landscapes–
sand on concrete wails for sun, for sunset wind to whip

through industrial, unfinished interiors. We dance, or run,
until light draws herself from the ocean’s muted stone.

(originally published in Crack the Spine, Winter 2016)

Infinite Strings

It was Maxwell
who asked
if algebra
can be extended.
My theory is
it is possible
if we are infinite
strings of numbers,
if an unknown
number
of remaining days
is what
makes us immortal.
With him
gone,
I recite
as many
digits
of pi
as I can
just to feel
my tongue
flicker again–
does the universe
confuse numbers
with the heart’s
density, or
sparsity?
The night sky’s
violins
sing arias
for minor
constellations
that connect
to never-
ending strings
of
days–

 

(originally published in Columbia College Literary Review, Spring 2017)

Theory of the Universe

Did we learn ourselves from the mirror
after we studied constellations
in ragged almanacs… we rotated mechanical
with a hiss of the so-slow
slowing axis…

No equation… can yet rebirth
a cooling star’s impending supernova

If the family cello were given to you
as it recovered from basement dust…

the bowstring part of me
moves… without asking
to the crescendo of ripples…
and F-minor weeping, the lake
awake not as often at night

the big bang must have stemmed… from a desert string
nervous tremolo through the ages, expanding
like a lung just before that first breath–
whole note for the endless meter…

 

(originally published in 99 Pine Street)

Hyacinth Rose

there are many flowers come across paths
alongside apartments but nonesuch like the

hyacinth rose wrapped tightly as such stands
outside a tiny market in view of black-grim

graffiti reading with a smile worth at least fifty
fifty-cent avocados because spring lays beyond

the peel of skin like waking up to jumbled
white sheets with the knowing of presence past

white walls hanged with stationary song which
would sing if only strings could strum themselves

 

(originally published in The Bitter Oleander, Spring 2015)