Memory Foam

here I look at the same room I’ve spent many nights in
the diffuser diffusing the world’s hues into you & me
the cat composed of smoke
Sara takes a sick day & the room crawls with veins
I watch my own age spiderweb into me flipping pages in a manuscript
this room is made of hair this room breathes fur webs
this is what brains are made of
every imprint of hand
when you sit down this bed this ocean floor this beginning

 

(originally published in Ariel Chart, Fall 2017)

Brisk Walk

do not miniaturize the bicycle torso between blue wheels

nor the twig tree broad-shouldered nor yellow-trousered man
walking the candy cane

coming shapes myself an igloo of time contracting

mirror view hot pyramids the tips crumble so reaper crows
confuse for wheat

the sculpted falsity in the curving sidewalk

those pickled legs just churn and churn

 

(originally published in Cafe Aphra, Winter 2018)

Ephemeral Garden

The map leads from bloom to wing
to sky– we followed gracefully before
black swan wings haunted our spines.

I was tangled in the garden of words
and you did not believe a thing
I said. I cowered in sagebrush

to study flying squirrels (the wingless
claim the sky). I told you I would never tell
another lie because what is truth

in an ephemeral garden, where the birdsong
of thrashers becomes language?
I attempt to look away from truth

but the truth is, nothing in this world
shocks me any more than when I crane my head
to see the nightmare we have become.

 

(originally published in Zany Zygote Review, Spring 2017)

Why Dogs Would Be Great Film Directors

It was tough to leave for work this morning,
collie’s silhouette usually at the top of the stairs
a shadow slinking, eyes glowing.

Your heart nearly stopped flailing its arms
as it sank deeper and deeper into the ocean.
When you watched Silver Linings Playbook
you saw your dog in the face of Bradley Cooper
those dark eyes shining in the greater darkness–

driving home with the key stabbing the ignition,
you drove wanting anything to please you.

It wasn’t in the trees or the swaying lights
or the Post-It notes crumpled in the bagless bin–

no, collie ran in circles. You reached for a treat,
your heart compiling sand and blowing glassworks–

collie on set with Bradley Cooper, his eyes
on her galvanized eyes and all she wants is ham
you’ve never seen a ham this juicy and
why am I excited about ham and

collie with her eyes makes Bradley
see the ham, want the ham,
want the ham like never before.

(originally published in Nude Bruce Review, Summer 2016)

 

Alley Walk Into the Dark Park

ambled through snow to my bowl of ice

my calloused tongue on her cold
the bowl’s organ

shriveled
I was a white door
textured and crumbling
in that manticorean dumpster

buds of teeth and name
the mane
where that doorknob would have been

the park on a picnic
her triangular table limbs

white oaks unhinged

the thunderstorm
and her cold drooping javelin wings

 

(originally published in Peculiar Mormyrid)

“I Wish I Knew How to Quit You,” Says the Moon

We know it is us
who wish to quit the moon.

We close our eyes our jaggedness
could drive the sun away but never
in the way our metaphors could.

Still we write the moonlight
into the sand and growl
at the tide

and again
when the tide returns.

We cry from the shape
our lives took to intersect–

an hourglass
filled with sugar,
or a snail. Or a million

hourglasses, a million snails,
a million glimmering shells
in a measured slowness.

You were talking about the sunrise–
but I never wanted to look.

 

(originally published in Thin Air, Spring 2016)

Work of Man

Gruesome scarecrow bore into me, wicked carrot limbs, dried snowman. This farm is seeped with the blood of the farmers but the cows are all right. Have you seen a cow’s smile? It crumples the yellow Mississippi into a zagged horseshoe. Forever we’ll remember the first game we played. The hoof felt like hardened slabs of discount deli turkey, art deco. No one won. No one is winning. The larger the city, the truer this fact. You can almost feel the weight of a tower’s collapse in its shadow, bogged shirt. Hemp gravel lines. I see the kinetic potential of kindergarten, a kinder garden than which you cribbed your tomatoes in, so stabbed by the wanderlust deer. We dug those tiny crevices with conveyor shovels. Wickets, wickets, and did the terrain ever grow out of itself like the work of man– ah, did it ever.

 

(originally published in Ping Pong, October 2015)