Scenery

My roommate takes me
for a walk, or she takes the dog
for a walk. It doesn’t matter.
It’s the second night

we’ve walked each other,
or the dog walked us,
sore throat, brainy fog,
and this time can’t even find

the moon, obscured by houses.
We look anyway, together,
comparing bloom to doubt,
how one is sure, the other

grows, and leaves
crunch beneath as the dog
stops our walking
to pee, to leave another

thing behind. On Sunday
I watched the Niagara dump millions
of gallons into itself, mist rising
into something, nothing. The moon

loomed huge over the bridge
to America towing sunset’s lavender
bed but you can watch a thing die
before your eyes, or not at all–

the way, driving back from Canada
in heavy traffic, I tapped you
on the shoulder on the sky bridge
and said, look, here’s something,

one thing beautiful left, look,
and took the world’s last magnificent,
proffered blue and there, as a passenger,
you refused.

 

(originally published in The Knicknackery, 2018)

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Solipsism in the Universe of the Solipsist

my body is at war against my mind
the soldiers are pleased
they feed at a nearby Wendy’s
if my body the inherited god was a temple
it is no longer
and if I am the only existence I believe in
the war is warring against the concept of self
antibodies against anti-bodies
from one end of the universe
to the other
I am
I am no longer

 

(originally published in OVS Magazine, 2017)

Warehouse Beach

The warehouse art gallery could never be mistaken for the beach,
even as curators charade sand across the dancefloor,
make us remember desire. Violins strike the throbbing air
with an electronic pulse, a horsehoof beat activating

the summer IPAs we drank beforehand to create
our summer selves. It ends. You end. At home later on
we watch documentaries where owls hunt forests for prey.
I pray we will soar but never hungry above branches.

Mostly I pray for our hearts to not be plucked raw, how stranded
and helpless we can feel in a new town while the world whirls
a thousand miles per hour– we stumble through sliding landscapes–
sand on concrete wails for sun, for sunset wind to whip

through industrial, unfinished interiors. We dance, or run,
until light draws herself from the ocean’s muted stone.

(originally published in Crack the Spine, Winter 2016)