Homesick (Dissociation)

Tulip tree in Alaska. Cold
and wild. Rembrandt blue

Christmas lights, shepherd
pie a warmth of familiar metal

stovetop. Doorstep. Gold
beneath nothing but rusted shovel

mnemonic arms repping
dumbbells. Must be strong

in clumps of conviction. The south
says the creator God’s a yes.

Freeform jazz. Bubbled
champagne. Festivals devoted

to home. Houston before me,
Texas a pink tie knotted.

 

 

(originally published in bluepepper, Winter 2018)

After Months of Living in My Ford Fiesta

sun & guitar strumming through space giving
breathing life-music concertos into me the grass

the G-minor wind the black garbage bags
I have picked out only a few t-shirts to wear

this year or any year could be the lifespan
of the universe or an endless pot of coffee

all my pants in the trunk I have driven
the cavernous columns of west U.S.A. today

& yesterday & tomorrow is my bent mind u-turn
steering wheel a strained muscular twist & cat-tongue

rubber consuming thoughts which are broke &
banked & rivulets of rust & cash the downstream

trend of my feral gasoline-fueled dreams

(originally published in Treehouse: An Exhibition of the Arts, Winter 2018)

Band Room

there are many instruments that we are
and many more we are not

such as we are sometimes saxophones
who have not memorized love songs

but we have eyes to read the sheets
lips to blow into trumpets tubas

muscles to crash cymbals
pound the bass drum at night

we remain off-tune no matter time of day
arcs of trombone waves flute trills rainbows

the inhaled swampy atmosphere
of slide-lube and falling domino fingers

down the rigid clarinet air
melodic staccatos of sixteenth-notes

every piece celestas
on wet reed floor

the band room holds its breath
waits for us to play something

 

(originally published in Beech Street Review, Fall 2016)

Shapelessness

As I move further from you, whiskey in hand,
the thirst seems to pile like distance in the miles–

my shape roasted under Pacific sun.
Our sunglasses clinked with wine glasses.

The dry sponge. Run me under the sink.
Or run with me. You could be a ghost, too,

a phantom unfurling before me, haunting
each town I pass. Every morning, I am gone.

For a while, your blanket was warm. But chill the air
long enough and someone will notice. No one

likes the cold. Everyone prefers the summer river,
her water’s blue in the ice of winter, the clear

of July. I dig for you in the dirt. Then myself.
My shapelessness. My tendency to drift

so far away that I never fully return.

 

(originally published in Jazz Cigarette, Autumn 2016)

Gate C55

Waiting in the airport and the ceiling fluorescents
are arranged like a runway askance and I know
I am running from what cannot be salvaged:

a week ago we soared through the sky
with all parts intact and fully functional.
I didn’t need to look out deep, endless windows

of fields and plane-paved paths and houses and wonder
where I belonged, how an engine could so quickly find fault,
how its parts could rust in her thrust into eternity–

we will never have the biology to fly, no matter
our construction, no matter the fantasy of the air–
and the air is a fantasy you breathe easy and pure

but the higher you go the more lungs constrict the heart
and light breathing becomes impossible in the heavy beating
that feels like so much excess baggage it will encumber

the great invention and bring it tumbling to earth,
where we begin and always end–

where, in the vast expanse of land I have no choice but to
stay bound to, I stare up toward the full, cloudy sky
and watch the great, miraculous wings of blackbirds

descend slowly on telephone lines beyond reach
to know what I am made of will never be enough.

 

(originally published in Rust  + Moth, Autumn 2016)